Why (when) artists choose to be status-invisible: An unrecognized phenomenon of the contemporary Europe by Marisstella Octek (SL Čižmešija)
Rare among us artists who have created over several decades have not participated in some prestigious competitions and events that publicly reward their participants. It is truly incredible to think that artists would want to be status-independent, "nobody and nothing," invisible because of their principles.
The historic speech of the Vice President of the USA, Mr. James David Vance (according to Wikipedia, born James Donald Bowman) at the Munich Security Conference (MSC 14.2.2025) pointed out the problem of the "ostensibly Western and democratic" unprincipled European intellectual and political elite. In his speech, he harshly criticized the current European (Europe with England) undemocratic policies that are accepted in Europe as procedurally correct (justified) even though they have no common ground with democracy (democratic values that they would share with the USA), Christian religious freedoms and, most importantly, truth. I read in J.D. Vance's speech a prophetic condemnation of Europe (with England): as if he were telling them that they had sinned against the Holy Spirit, and that is a sin that God resolutely does not forgive.
World politics emanated dictatorship during the pandemic regarding vaccination (I chose to be among the unvaccinated) and consequently censorship: censorship was introduced much earlier, especially on the topic of uncontrolled mass migrations in Europe (in 2015, I publicly protested against migrations with the most right-wing political parties) - the topic of replacing the European population with non-Europeans: censorship has been applied for decades through dominant European policies.
The European Union has issued a Resolution condemning all totalitarian regimes of the 20th century (and their mutual cooperation) that raged like a godless destructive plague (disaster) across the territory of Europe, however, PACE Resolution 1481/2006 and EP Resolution from 2.4.2009. on European conscience and totalitarianism... serve as a decoration to which they refer declaratively, while in substance they despise and persecute independent thinkers who are not inclined to the traps of different and seemingly diametrically opposed historically compromised totalitarian ideologies,
The national states created or re-established by the collapse of communism on the territory of Europe are the states of "Eastern" Europe. Fascism was defeated after three years of existence: there were two more years to defeat nazism - a total of less than five years of Nazism. Against fascism and nazism in "Eastern" Europe, where the supporters of the communists Lenin, then Stalin and Tito - communist comrades who were not only “adored” leaders (who were blindly and fanatically followed by millions of supporters) but also the greatest violators of human rights whose regimes, during four and a half "victorious" decades (!) cruelly engaged in the liquidation of dissenters (dissidents) and the "enemies of the people" described and denounced by them.
Anti-nazism in "Eastern" Europe was criminal, and violent from its foundation to its demise, unlike the anti-nazism of the member states of Western Europe, which entered and exited victorious battles with a clear conscience (except for the English, who unfortunately have Bleiburg, especially the civilian victims of Bleiburg, on their conscience).
The countries of "Eastern" Europe did not carry out lustration (lustration was carried out entirely only by East Germany and Poland) and did not renounce (abdicate) either the socio-political regime structures or the entire economic and spiritual heritage of the totalitarian communist regimes of the pro-Soviet type, as actively and criminally, violently created by the communist comrades: the criminal, violent Stalin in the Russian Soviet Union and the YUgoslav criminal, violent Tito with the "pro-Western" communism as they falsely (with the help of the Western powers) presented it.
After the fall of the Berlin Wall, the countries of "Eastern" Europe successfully nurtured both the pro-Soviet type left politics and the false right (in nature also left) politics which does not deal with lustration and the truth, but exclusively with personal status benefits within the spiritual framework of the inherited regime totalitarianism which they impose on new generations as a desirable value system: all together they actively teach new generations godless relativism. These are "satanic states" that do not distinguish good from evil.
The member states of Western Europe, together with the USA, were the winners of the Cold War: after the fall of the Berlin Wall, they enabled all social prosperity to the criminal, violent unlustrated pro-communist (proto-totalitarian) structures of "Eastern" Europe, which have never renounced nor ever intend to renounce (abdicate) atheism - godless communism, all totalitarian regimes (both the so-called left and the so-called right, and their secret or public mutual political cooperation) and lies about the nature of totalitarian regimes which, in their opinion, had a "human face", although they are talking about regimes that were shaped and led by deranged, insane, cruel dictators and violent mega criminals through repressive methods.
Although we cannot claim that the artists and scientists after whom art competitions and art and scientific awards are named personally committed a crime, the very fact that they were spared liquidation, that is, that they created peacefully, undisturbed, and freely alongside the war winners, in "Eastern" Europe as supporters of the new totalitarian regime - turning a blind eye to persecution and ignoring the victims of the regime - deeply calls their morality into question.
Why aren't the awards named after the true victims of all totalitarian regimes who were not seduced by any regime ideology of the 20th century? Europe believes that being a simple, moderate, pious patriot, interested in nation-state (a nationalist but not a chauvinist!) and uninterested in being shaped by imposed ideologies, a person like a "neutral Swiss" – is an unworthy person with a status that is below the European level of expectations, understanding, capture and acceptance - because (that kind of person with “lower comprehension”) does not understand the essence of the "generally accepted European ("left-right") collectivity".
Croats have a historical figure, the Blessed Alojzije Stepinac, who was persecuted by the nazis for saving (also) Jews, who was sentenced to life imprisonment by the YUgoslav communists, and who was ultimately poisoned (by all the totalitarians) under house arrest in YUgoslav regime. Europe and the Vatican (fortunately, and with God's help, the Vatican has the Swiss Guard) do not fit, do not accept the figure of a "neutral Swiss" saint (conditionally speaking, neutral... but neutral from the perspective of supporters of totalitarian "left-right" ideologies).
The European spiritual space has been forcibly occupied by historiography that must not be opposed with the truth: its interpreters cunningly use lies and even more cunningly impose the criterion of choosing the "lesser evil" even though communism, fascism, and nazism are altogether left-wing anti-God ideologies. Their false claims that they impose on nations as "generally accepted truths" are the following:
1. ALL anti-fascists and anti-nazis of Europe are structurally identical.
2. Those who are not for ALL anti-fascists and anti-nazis of Europe are for fascists and nazis.
3. Better anti-fascism and anti-nazis of the pro-Soviet type than Italian Fascism or German Nazism.
4. Communism is a left-wing ideology and Fascism and Nazism are right-wing ideologies.
The part of the territory of "Eastern" Europe exploded during the collapse of the criminal violent YUgoslav totalitarian communist regime, which was created with the help of the Western powers by the mega-criminal villain non-Croat Tito, a man with a false identity (comrade Tito falsely presented himself as a humble Croatian worker - revolutionary communist). During the first half of the 1990s, the conquering Greater Serbian ideology (originally Serbia and Montenegro under the common YUgoslav flag) together with the (multinational) Tito's Yugoslav Army (JNA), acting in favor of the ideology of the so-called YUgoslavia - in favor of the so-called YUgoslavian ideology which is a fake supranational ideology because in its content the ideology of the national Orthodox Greater Serbia is dominant and obligatory - they have carried out aggression on the territory of sovereign states and for years mercilessly destroyed cities rich with cultural heritage such as the old Catholic Central European and Mediterranean cities of Vukovar (on the photograph), Karlovac, Zadar, Dubrovnik in the Republic of Croatia and multicultural - multiconfessional (Catholic-Orthodox-Islamic) Sarajevo in Bosnia and Herzegovina.
After the implementation of the lustration all Catholic states in so-called "Eastern" Europe will "return home" to be again the states of Central Europe.
In the name of all victims of criminal totalitarian communist regimes and fallen defenders in the recent merciless YUgoslavian-Serbian aggression, it would be necessary to terminate, to completely sever - disconnect all ties and associations that bind people to totalitarian regimes and to abolish literary and scientific awards that remind the nation of the period of activity of all artists and scientists who "wisely knew how to choose the winning side" and that winning side is not - innocent and unburdened by mass crimes that range from half a million to several million victims - Swiss address.
Translation from Croatian: Marisstella Octek
GDBK = CSBK 16.2.2025. A.D.
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The Magic of Bedtime Picture Books: Why Reading to Young Children Matters
There's something undeniably special about the time just before bed. The day’s adventures are winding down, the world outside is growing quieter, and there’s a cozy stillness that invites you to sit close with your child, a picture book in hand. For many, this is the perfect moment to share a story—a moment of bonding, learning, and imagination. But beyond the charm of this nightly ritual, there are profound reasons why reading picture books to young children, especially at bedtime, is so important.
A Gateway to Language and Cognitive Development
One of the most compelling reasons for reading picture books to young children is the impact it has on their language and cognitive development. From the earliest stages of life, children are sponges for language. They absorb words, phrases, and meanings from their environment, and picture books are a rich source of linguistic input.
When adults read aloud, they introduce children to new vocabulary in context, which helps them understand and remember words more effectively. The rhythmic patterns, rhymes, and repetitive structures found in many picture books make them particularly effective for this purpose. These elements help young children anticipate what comes next, giving them the confidence to join in and, eventually, to read along.
Moreover, picture books are often a child’s first exposure to the concept of narrative—understanding that stories have a beginning, middle, and end. This understanding is a foundational cognitive skill that underpins later learning in areas like reading comprehension, writing, and even math.
Nurturing Emotional Intelligence
Emotions can be confusing for young children. They experience them intensely but often lack the words to describe how they feel or the understanding to manage those feelings. Picture books offer a gentle way to explore complex emotions in a safe and controlled environment.
Many picture books are specifically designed to address emotions and social situations. They might tell the story of a character who is feeling sad, scared, or angry, and then show how that character navigates those feelings. Through these stories, children learn that it’s okay to feel a certain way, that others feel the same emotions too, and that there are ways to cope with or express these feelings.
By discussing the story and the characters’ emotions with an adult, children also learn empathy—an essential component of emotional intelligence. They start to understand that other people have feelings, too, and that those feelings might be different from their own.
Fostering a Love of Reading
The stories we encounter in our earliest years often stay with us for a lifetime. By reading to young children, especially at bedtime, adults are planting the seeds of a lifelong love of reading. The comfort and joy that comes from sharing a picture book become associated with the act of reading itself.
As children grow, this love of reading will serve them well. It will motivate them to pick up books on their own, to explore new worlds through words, and to see reading as a source of pleasure and knowledge. In an increasingly digital world, where screens are competing for attention, fostering a love of reading from an early age is more important than ever.
Creating a Bond and Sense of Security
In the rush of daily life, it’s easy to overlook the importance of small, quiet moments with our children. Bedtime reading is one such moment—a time to slow down, to be present, and to connect on a deeper level.
For a child, the presence of a trusted adult during bedtime reading provides a sense of security. This routine becomes a comforting anchor in their day, something they can rely on no matter what else has happened. The physical closeness, the sound of a familiar voice, and the shared experience of a story all contribute to a feeling of safety and belonging.
This bond is not only comforting for the child but also strengthens the relationship between the adult and the child. It’s a time when you’re fully present with each other, without distractions, and that presence is incredibly valuable in building trust and connection.
Stimulating Imagination and Creativity
Children are naturally imaginative, and picture books are the perfect fuel for their creativity. The best picture books are more than just words and pictures; they are invitations to enter new worlds, meet interesting characters, and embark on exciting adventures—all from the safety of their own bedroom.
When adults read these stories aloud, they bring them to life. They can use different voices for the characters, add sound effects, and even act out parts of the story. This not only makes the experience more engaging but also encourages the child to use their imagination to fill in the gaps.
This kind of imaginative play is crucial for cognitive development. It helps children learn to think creatively, to solve problems, and to see the world from different perspectives. It’s also just plain fun, and that’s reason enough to do it.
Establishing a Calming Bedtime Routine
For many children, bedtime can be a difficult transition. After a day of activity, winding down can be challenging. This is where the routine of reading a picture book can be particularly effective.
A bedtime story signals to the child that it’s time to start winding down. The familiar routine, the soothing sound of an adult’s voice, and the calming nature of the story all help to ease the transition from wakefulness to sleep. Over time, this routine can make bedtime a more peaceful and enjoyable experience for both the child and the adult.
Conclusion: The Power of a Simple Ritual
In the grand scheme of things, reading a picture book at bedtime might seem like a small, simple act. But it’s so much more than that. It’s a way to nurture a child’s development, to foster a love of reading, to build emotional intelligence, and to create a lasting bond. It’s a moment of magic at the end of the day—a moment where anything is possible, and the world is filled with wonder.
So, the next time you sit down with a picture book and your child, know that you’re doing something incredibly valuable. You’re not just reading a story; you’re shaping a future reader, thinker, and dreamer. And that’s a pretty powerful thing.
The Art of Creative Writing: Insights from Oscar J. Starr III
The Art of Creative Writing: Insights from Oscar J. Starr III
Creative writing is a powerful form of expression that allows individuals to explore their imagination, convey emotions, and share stories that resonate with readers. Oscar J. Starr III, a renowned author and entrepreneur, has made significant contributions to the world of literature through his insightful works and engaging storytelling. In this article, we delve into Oscar’s perspective on creative writing and the key elements that make it a transformative experience.
Embracing Imagination and Originality
Oscar believes that the foundation of creative writing lies in the ability to tap into one’s imagination and embrace originality. He encourages writers to think beyond conventional boundaries and explore unique ideas that captivate readers. According to Oscar, “The beauty of creative writing is that it allows you to create worlds, characters, and narratives that are entirely your own. It’s about finding your voice and letting it shine through your words.”
The Power of Authenticity
Authenticity is a cornerstone of Oscar’s writing philosophy. He emphasizes the importance of being true to oneself and writing from the heart. “Readers can sense when a story is genuine,” Oscar explains. “When you write with authenticity, you create a connection with your audience that goes beyond the surface. It’s about sharing your truth and allowing others to see the world through your eyes.”
Crafting Compelling Characters
One of the hallmarks of Oscar’s writing is his ability to create compelling characters that resonate with readers. He believes that well-developed characters are essential to a captivating story. “Characters are the heart and soul of any narrative,” Oscar says. “They drive the plot, evoke emotions, and make the story relatable. Take the time to understand your characters, their motivations, and their journeys.”
The Role of Emotion in Storytelling
Oscar highlights the significance of emotion in storytelling. He believes that evoking emotions is what makes a story memorable and impactful. “Emotion is the thread that weaves the narrative together,” he explains. “Whether it’s joy, sorrow, love, or fear, emotions create a connection between the reader and the story. Don’t be afraid to explore the depths of human experience in your writing.”
The Entrepreneurial Mindset
As an entrepreneur, Oscar brings a unique perspective to creative writing. He encourages aspiring authors to adopt an entrepreneurial mindset and view their writing as a valuable asset. “Writing is not just an art; it’s also a business,” Oscar asserts. “Embrace the entrepreneurial spirit by seeking opportunities to share your work, connect with your audience, and build a brand around your writing.”
Encouraging Aspiring Writers
Oscar is passionate about supporting aspiring writers and fostering a sense of community. He believes that every writer has a unique story to tell and that their voices deserve to be heard. “Don’t be afraid to take risks and put your work out there,” he advises. “Join writing groups, attend workshops, and connect with fellow writers. The journey of creative writing is more fulfilling when you have a supportive community by your side.”
In conclusion, Oscar J. Starr III’s insights into creative writing offer valuable guidance for writers at all stages of their journey. By embracing imagination, authenticity, compelling characters, emotion, and an entrepreneurial mindset, writers can create stories that leave a lasting impact on their readers. As Oscar eloquently puts it, “Creative writing is a journey of self-discovery and connection. It’s about sharing your unique perspective with the world and making a difference through your words.”
STANDBY TRAVEL - First in Series of Reflecting on days of future past
REFLECTING ON DAYS OF FUTURE PAST
Is a collection of biographical memories of the past. The following personal words are inspired by a poem titled REFLECTION.
“I should have known!” He thought, reflecting on the future past.
A future now determined by past deeds and decisions, a future no longer a targeted destiny. Not worrying about the future, and staying in the current can be healthy, but it is like running a race wearing blinkers. Only focused on the destiny, inflexible, blinded from the surrounding journey, or the fading memories quickly moving into a forgotten past. With the future coming increasingly faster, reflecting on the future past, is it worth remembering?
The current doesn’t consider versions of oneself, a version influenced in childhood by important people, spirits that nurtured and cared for his early years, by events that carved and caused early impressions, from phobias to dreams, holding onto unrealistic ambitions.
Staying current, staying healthy, they say.
Was it the soup of his DNA, his natural characteristics combined with infantile influences that chartered the course, the journey, his destiny, his fate, his choices. How much choice and individuality did he bring to his life? He reflected on his future past.
The older version of himself looking back through upgrades and downgrades of his younger versions, his journey was never straightforward, but what does it teach us, he thought – reflecting on the future past.
Staying current is only healthy when you decide to block out the reflections of future past, the older wise version critiquing, creaking with old age, with a biased view of the future past.
“I should have known!” needs to be rewritten. “I did, I do, and don’t regret.”
The older current version of self, having the last words in reflecting on the future past.